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Mayflower rachel carter Mayflower rachel carter

Sailing to the USA as part of the Spirit of Mayflower project

The journey by boat to the USA is an integral part of her latest project; Language of Sculpture – Spirit of Mayflower project which will commemorate the 400th anniversary in 2020 of the historic Mayflower crossing, this is the boat which carried the first pilgrims from the UK to America in search of a new life.Rachel aims to capture the thoughts and feelings of the Mayflower passengers during her own crossing by reading extracts of William Bradford’s journals he wrote about his own Mayflower crossing, she will also chart her journey through a texture diary where she will spend time knotting using ancient weaving methods of macramé to weave new patterns that are inspired by the Wampum belts of North America’s native Wampanoag people.


The boat will arrive in Halifax sometime around the 5th August, although it could be later depending on the weather, and Rachel will make her way to Provincetown, MA to carry out an Artist-in-Residency at the Pilgrim Monument and Provincetown Museum (PMPM) where she will display the textile art that she made during the crossing, talk to Museum visitors about her project and provide them with the opportunity to learn how to weave.

Upon her return Rachel will combine the weavings created during the Atlantic crossing with 50 new weavings from a series of workshops that will engage women from across the UK Pilgrim Roots areas; Nottinghamshire, Lincolnshire and South Yorkshire to create a sculpture of female figure, outfitted with a Tudor-style dress with a fitted kirtle and full skirt. The 3D sculpture will be used to cast a bronze statue depicting Pilgrim Women to be exhibited throughout the UK during the 400th anniversary of the Mayflower Pilgrims’ voyage to America.

The project was inspired by Rachel’s research into her own family history, which she has traced back to the 1500s, she learnt that many of her ancestors were weavers working in the textile industries of Nottingham and their history is peppered with stories of migration, albeit sometimes smaller in miles, the times and circumstances would still have caused great upheaval.

She relates her family’s roots as weavers with the native Wampanoag people who created weavings that chronicled their milestones and historic events, two distinct groups with no obvious connection but who were similarly experienced in story telling through textiles.

The language of Sculpture – Spirit of Mayflower’ is supported by Arts Council England and endorsed by Mayflower 400 as a Spirit of Mayflower project.


Useful links

http://www.pilgrimroots.co.uk

https://www.mayflower400uk.org

The view from Rachel’s ship before it set sail from Liverpool Docks

The view from Rachel’s ship before it set sail from Liverpool Docks

As we write this Rachel is currently somewhere in the Atlantic Ocean just north of Northern Ireland on boat a cargo ship which is heading to Halifax, totally cut off from communication, her only company will be the small amount of passengers and crew on board the boat.

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Exhibitions rachel carter Exhibitions rachel carter

Artist Residency No.1

For the duration of 2015 I have successfully secured funding from Arts Council England to explore the direct casting processes of solid lost wax casting and hollow lost wax, taking inspiration and lessons from the Bronze age and the Ancient Greek period. This will cumulate into a small collection of new woven bronze work that will become the basis for a solo show in October. During this period of reach and development I will be travelling through Derbyshire to undertake artist residencies in various public places such as Elvaston Castle, Matlock Mining Museum and Cromford Mill to name but a few. With each venue the surroundings will directly influence the creative outcomes.

The first venue on the residency tour is in the city of Derby within the historic Arboretum Park which is due to celebrate 175 years this September. This historic park was the very first publicly owned landscaped park in England. In 1840 the park was commissioned by Joseph Strutt, a former mayor of Derby and noted philanthropist. The landscape architect John Claudius Loudon was employed to design the parks undulating banks, planting and sculptural features. Loudon’s design was of great significance and influential in the design of New Yorks Central Park.

The aim of the residencies is to allow the public to engage directly with the artist and the art work, to see and learn about the exploration of the ancient lost wax technique, see the experiments in surface patterns achieved through hand weaving techniques and examine the collection of wax forms.

Being resident in the park has been a great experience and discovering it’s historic story has been fascinating, the park has had a troubled past but seems to be embracing a new chapter, one of which is the successful residency program now in its fifth year.

My time at the Arboretum has come to an end and I have loved be able to see the park everyday, watch spring arrive through the windows, see the park life and the people passing by. It’s been inspiring and as a result I have created over 50 pieces whilst resident there.

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